In class, at GRTC, it was explained that each of the eight techniques has a corresponding trigram. In baguazhang, the martial artist studies the changes from one tragram to the other, philosophically (as well as physically, I imagine). Will it be of value for us to study the changes between the techniques, as flow from one movement to another is important? Will some techniques flow into others more easily, as they may be beside each other on the Pakua?
Thank you.
Eight Techniques
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- Tashi James
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trigrams
This is a very interesting question!, In what context was this mentioned in class? I came across a similar principle when studying with Nam Wah Pai; We would draw on the principle of constant change and flow. As well as the cardinals etc, so it would be interesting to know how relevent the trigrams are so far as the philosophical conceptualisations attributed to each of the trigrams.
I feel that there is also a danger in over-mystifying in regard to this topic also!?
I feel that there is also a danger in over-mystifying in regard to this topic also!?
"There is nothing that does not become easier through familiarity" (Santideva).
"We become what we do repeatedly. Excellence, then, is not an act but a habit" (Aristotle).
"We become what we do repeatedly. Excellence, then, is not an act but a habit" (Aristotle).
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I appreciate your word of caution, with regards to over-mystifying. The last thing I would want to do is suggest something is impractical.
Ultimately, my curiosity was piqued at the mention of the trigrams, because at one time I was interested in bagua (never pursued it). In class, four of the techniques were demonstrated (ward off, roll back, press and push). It was explained that each technique had a corresponding trigram. It made me wonder about the similarity between taiji and bagua. The trigrams are so prevalent in Chinese culture, however, that perhaps no connection was intended.
The possible extent of the connection/correlation is my question. Your additional questions with regards to the pakua and physical direction are very interesting, as well.
Hopefully, someone will pass by, soon, who knows more. Thanks for your interest.
Ultimately, my curiosity was piqued at the mention of the trigrams, because at one time I was interested in bagua (never pursued it). In class, four of the techniques were demonstrated (ward off, roll back, press and push). It was explained that each technique had a corresponding trigram. It made me wonder about the similarity between taiji and bagua. The trigrams are so prevalent in Chinese culture, however, that perhaps no connection was intended.
The possible extent of the connection/correlation is my question. Your additional questions with regards to the pakua and physical direction are very interesting, as well.
Hopefully, someone will pass by, soon, who knows more. Thanks for your interest.